First of all, where does this particular aesthetic criterion leave the films that Allen's actually made, as opposed to some hypothetical ideal of your own as to what kind of film he should make? I'd much rather discuss films that exist.Quoting trotchky (view post)
As far as his own unique thoughts and feelings, aren't those going to slip out anyway through whatever kind of content he chooses to pursue? Match Point pretty plainly addresses his thoughts and feelings on luck, which come up again in Whatever Works (Larry David literally falls over his ideal woman).