He's got one of those Dylanesque voices. It might grow on you, but chances are you'll either love it or hate it. It's unique, and that's one of the reasons I love it. He also balances theatrics and sincerity perfectly.Quoting Spinal (view post)
He's got one of those Dylanesque voices. It might grow on you, but chances are you'll either love it or hate it. It's unique, and that's one of the reasons I love it. He also balances theatrics and sincerity perfectly.Quoting Spinal (view post)
It's challenging because Smith is so tied in my mind to a particular cultural movement from my youth that I meet with instant suspicion. This is what I like about these threads. They force me to try to work around my biases and just respond directly to the music. Head on the Door really helped me to start to see their appeal. There's some really fun sounds they're working with there.Quoting D_Davis (view post)
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
The Head on the Door - 7 (a little too schizo on tone for me, though I suspect that's why others like it)
Disintegration - 10
Will get to Pornography as well before this is done and update.
Disintegration has one of the single best bass tones in all of rock music. So shimmery, so liquid-y. Few things have brought as much joy as hearing Isis replicate that sound on their final album.
The Boat People - 9
The Power of the Dog - 7.5
The King of Pigs - 7
I was full-on into that culture. My first crushes as a youngster were on older girls wearing Cure T-shirts.Quoting Spinal (view post)
Luckily, The Cure's music stands apart from the goth culture, and has survived that particular fashion trend in a way that most of the other associate bands has not.
Head on the Door is a tremendous album. A few musician friends and I always bring it up while discussing the possibilities of a perfect album.
Agreed completely with this. I doubt I ever would have listened to any of U2's albums had we not done the consensus. And The Cure is so much different then I expected considering I only knew their radio hits.Quoting Spinal (view post)
I'm saving my vote until the end of the week. Although I've probably so far listened to the most popular albums.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
For me, rating albums is so much harder than movies, which are basically one and done. A lot of my favorite albums did not start out as favorites first listen, but grew into it over time.Quoting D_Davis (view post)
Add to that the fact that music genres are a lot more polarizing and differentiated than movie genres (I'll watch romantic comedies, but couldn't care less about getting into country, R&B or house, for example) and the fact that a particular musical artist's sound/style is usually cohesive across multiple releases, so that a negative reaction to one aspect of that sound/style basically means that it is highly unlikely that you can appreciate the relative qualities of those releases.....well, you'll get a very spotty return for many artists in an undertaking like this. Still interesting though.
I didn't bother with U2 because I don't feel like the energy spent on trying to appreciate particular albums is worth it considering I have such a strong general distaste for their overall music. The Cure, on the other hand, is a band I could see myself being interested in, but I wouldn't have much to say in just a week, having not listened to any of their albums in full except Pornography and Disintegration.
Or maybe I'm just lazy
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
I do agree that a lot of albums get better with time, but I've gotten to a point where I really understand my own styles and what I'm willing to give chances to and such that with one listen through I'm pretty well able to give it a rating that will be close to my same rating a couple years down the line. But then I listen to music probably around 10x more then my time watching movies.Quoting transmogrifier (view post)
Oh, I spend so much more time listening to music as well. But I have so much music that I may listen to a album for the first time one day (like The Misfits, Static Age today) and think oh that was pretty good, and then not listen to it again for a couple of months as I cycle through other stuff.Quoting Thirdmango (view post)
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM