I wish that the 'reward' for innovative young filmmakers wasn't big budget remakes or sequels of somebody else's vision.
I wish that the 'reward' for innovative young filmmakers wasn't big budget remakes or sequels of somebody else's vision.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
Problem is when their agent storms in and says, "You'd better play ball, motherfucker-- you're gonna take this to development, get the exec producer credit, I get my slice-- then you can puss out on creative differences."Quoting Spinal (view post)
Last edited by Dead & Messed Up; 03-30-2017 at 08:28 PM.