Not sure which thread this belongs in but, Criterion releasing The Tree of Life including a new cut running 50 minutes longer.
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Not sure which thread this belongs in but, Criterion releasing The Tree of Life including a new cut running 50 minutes longer.
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Last 11 things I really enjoyed:
Speed Racer (Wachowski/Wachowski, 2008)
Safe (Haynes, 1995)
South Park: Bigger, Longer & Uncut (Parker, 1999)
Beastie Boys Story (Jonze, 2020)
Bad Trip (Sakurai, 2020)
What's Up Doc? (Bogdanovich, 1972)
Diva (Beineix, 1981)
Delicatessen (Caro/Jeunet, 1991)
The Hunger (Scott, 1983)
Pineapple Express (Green, 2008)
Chungking Express (Wong, 1994)
Hard pass.
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
"The film that he presented in Cannes is the film that he wanted to make, but just for giggles, he's gone to enormous trouble and expense to make a radically different version of it."
I'm beginning to think Malick never knew, and is never going to know, what film it was he wanted to make.
Just because...
The Fabelmans (Steven Spielberg, 2022) mild
Petite maman (Céline Sciamma, 2021) mild
The Banshees of Inisherin (Martin McDonagh, 2022) mild
The last book I read was...
The Complete Short Stories by Mark Twain
The (New) World
I think he recently decided that it's a series of very banal reflections on life starring famous people staring into empty spaces.Quoting baby doll (view post)
This news automatically negates his Matchie.
I, for one, am super excited about a... new film? New cut? It fits with three of my deepest held feelings:
1. All great films are too short. (probably with certain exceptions that I choose to ignore)
2. Filmmakers waste so many opportunities with their footage. One editor can make 12 different films from Malick's footage, some great and some terrible (and others will find the great ones terrible and the terrible ones great) - why do so few filmmakers take advantage of the limitless possibilities of the footage they assemble?
3. Films' finality is a missed opportunity. Musicians get the chance to rework their songs at every performance, often completely reworking every element. For the audience, each reworking is both an opportunity to have a new experience and to view the new performance in comparison with the previous version for an even deeper understanding/connection.
The article says, "The film that he presented in Cannes is the film that he wanted to make." What it implies, though, is, "But now he wants to make something else!" Who am I to begrudge him the opportunity to change? I loved Song to Song, deeply. The thing I would love more than a Song-to-Song version of The Tree of Life is a post-Song-to-Song version of Tree of Life from a potentially better artist. And perhaps I will hate it and think he has ruined everything - but it seems like a low-risk venture on my part with some potentially great rewards.
I'm still waiting for my 5 hour cut of The Thin Red Line.
Sure why not?
STAR WARS: THE LAST JEDI (Rian Johnson) - 9
STRONGER (David Gordon Green) - 6
THE DISASTER ARTIST (James Franco) - 7
THE FLORIDA PROJECT (Sean Baker) - 9
LADY BIRD (Greta Gerwig) - 8
"Hitchcock is really bad at suspense."
- Stay Puft
I can't imagine how making the film longer would somehow magically solve the massive structural problem in the film, where the plot grinds to a complete halt in the final third.Quoting Watashi (view post)
Just because...
The Fabelmans (Steven Spielberg, 2022) mild
Petite maman (Céline Sciamma, 2021) mild
The Banshees of Inisherin (Martin McDonagh, 2022) mild
The last book I read was...
The Complete Short Stories by Mark Twain
The (New) World
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