Last Seen:
Correr para Vivir (G. Dorantes, 2024) ☆
The Bad Guys (P. Perifel, 2022) ☆
Persepolis (M. Satrapi/V. Paronnaud, 2007)
Coyote (K. Jerkovic, 2022) ☆
Uncle from Another World (S. Kawai, 2022-23) ☆
Why the Hell are You Here, Teacher!? + OVA (H. Kaneko/T. Tokoro, 2018-19) ☆
The Dangers in My Heart, S2 (H. Akagi, 2024) ☆
Frieren: Beyond Journey's End, S1 (K. Saitō, 2023?24) ☆
Knocked Up (J. Apatow, 2007) ☆
Cobra (G. P. Cosmatos, 1986)
First time ☆
Enjoyed on a superficial level, which is the only way I think it can be enjoyed.
A++ for the snappy Sorkin dialogue and the charisma of the cast (particularly Rylance, Cohen, and Keaton).
D- for the reductive and perpetually mealy-mouthed Sorkin politics.
Sorkin isn't a good filmmaker, or even a good writer. 100 years ago he would have a comfortable career in vaudville or speechwriting (same thing, really) and never escaped the midwest. Today he makes movies for Netflix.
I can't get over how there's barely an American in the main cast.
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As non-American, I can't attest to the betrayal of various real-life figures' politics here while watching. After some reading, I can see how many will feel legitimately appalling if I knew about them beforehand, but even watching it while lacking the historical facts, I can already see some centrist traces of those complaints in-film, in how these supposedly diverse groups eventually all become almost too one (Sorkinese) viewpoint; Hoffman and Dellinger especially seem neutered from the beginning in opposite directions to arrive at contrived dramatic arcs by the end. Still, as a piece of Sorkin's rhythmic dialogue theatrics, this story with this cast prove pretty engrossing. The overlapped relevance -- not just in America but in Thai unrest this year -- can't help but feel galvanizing to me, even if as usual with Sorkin's films he directs himself, his signature writing style battles mightily with his play-to-the-cheap-seats directorial instincts (the much derided gavel-banging scene, of course, but also Dellinger's family reaction at one point, in which its overwroughtness verges on parody). 7.5/10
Midnight Run (1988) - 9
The Smiling Lieutenant (1931) - 8.5
The Adventures of Robinhood (1938) - 8
Sisters (1973) - 6.5
Shin Godzilla (2016) - 7.5
This almost feels like a Sorkins' Greatest Hits album. Certain dialog seems lifted right from other movies.
He's pretty well known for this.Quoting Ezee E (view post)
It's terrible once you pick up on it. I was writing christmas cards while watching, and went, "Wait, this exact line was in Social Network."Quoting amberlita (view post)