Results 1 to 25 of 381

Thread: Video Essays + Every Frame a Painting

Hybrid View

Previous Post Previous Post   Next Post Next Post
  1. #1
    Quote Quoting Skitch (view post)
    I talk about scene geometry all the damn time and my friends look at me like I'm from the moon. FINALLY was able to crack their skulls open with these last two videos so they understand what I've been talking about. Beautiful.
    I had actually been told about the quadrant system but never fully grasped the concept until the Drive video... and honestly I had no idea about the way you could play with shapes and geometry. Not until now. And if it weren't great enough, Zhou said he made this two short videos while working on a bigger one about Kurosawa!!

  2. #2
    White Tiger Field Stay Puft's Avatar
    Join Date
    Nov 2007
    Posts
    3,711
    I'd love to see him do a video about Kobayashi. He was the first filmmaker where I became acutely aware of the use of geometry/quadrants/etc. The film Samurai Rebellion, specifically, as it explicitly and brilliantly uses architectural space as manifestations of political oppression, cultural rigidity, psychological compartmentalization, etc. Characters will occupy different quadrants in the frame while talking to each other but also literally be in separate rooms, talking to each other through screens or doors, etc. Lots of squares and intersecting lines (boundaries, or prisons), and the shapes change as the film progresses and these sturdy frameworks give way to ruin (metaphorically).
    Giving up in 2020. Who cares.

    maɬni – towards the ocean, towards the shore (Sky Hopinka) ***½
    Without Remorse (Stefano Sollima) *½
    The Marksman (Robert Lorenz) **
    Beckett (Ferdinando Cito Filomarino) *½
    Night Hunter (David Raymond) *

  3. #3
    Quote Quoting Stay Puft (view post)
    I'd love to see him do a video about Kobayashi. He was the first filmmaker where I became acutely aware of the use of geometry/quadrants/etc. The film Samurai Rebellion, specifically, as it explicitly and brilliantly uses architectural space as manifestations of political oppression, cultural rigidity, psychological compartmentalization, etc. Characters will occupy different quadrants in the frame while talking to each other but also literally be in separate rooms, talking to each other through screens or doors, etc. Lots of squares and intersecting lines (boundaries, or prisons), and the shapes change as the film progresses and these sturdy frameworks give way to ruin (metaphorically).
    You can always drop him a suggestion.
    https://twitter.com/tonyszhou

  4. #4
    Administrator Ezee E's Avatar
    Join Date
    Nov 2007
    Location
    Denver
    Posts
    30,597
    Quote Quoting Philip J. Fry (view post)
    I had actually been told about the quadrant system but never fully grasped the concept until the Drive video... and honestly I had no idea about the way you could play with shapes and geometry. Not until now. And if it weren't great enough, Zhou said he made this two short videos while working on a bigger one about Kurosawa!!
    Kurosawa's High and Low is basically film school for geometry.

    Barbarian - ***
    Bones and All - ***
    Tar - **


    twitter

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
An forum