The House on the Border Land looses steam towards the final third, when it becomes all cosmic and stuff. Definitely a huge influence on Clark Ashton Smith, and the kind of weird fiction I can do with out. It's all setting, and no plot. However, the first 2/3 are still worth reading - the part with the swine things invading the house and the journey into the pit are amazing.
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I started my first Tim Lebbon book yesterday: Fears Unnamed, a collection of 4 novellas. I'm almost done with the first, called Remnants, and it is really good. Right up my alley. It's about a couple of guys who, while on an archaeological dig, discover the City of the Dead, buried deep in the bowels of a vast desert. It's Lovecraftian in scope and atmosphere, but written with a far more accessible style, thus reminding me a great deal of TED Klein's collection, Dark Gods.
I love stories about ancient cities being discovered, and this is an interesting one.