[+] closer to next rating / [-] closer to previous rating
- Dark (S3) ✦✦✦½ [-]
- Fall (Mann, 2022) ✦✦✦½ [-]
- Ms. Marvel (S1) ✦½ [+]
- Dark (S2) ✦✦✦✦
- Moon Knight (S1) ✦✦½ [-]
- Get Carter (Hodges, 1971) ✦✦✦½ [+]
- Prey (Trachtenberg, 2022) ✦✦✦ [-]
- Black Bird (S1) ✦✦✦✦
- Better Call Saul (S6) ✦✦✦½ [+]
- Halo (S1) ✦✦✦ [-]
- Slow Horses (S1) ✦✦✦½ [+]
- H4Z4RD (Govaerts, 2022/BE) ✦✦½ [-]
- Gangs of London (S1) ✦✦✦½ [+]
- We Own This City (S1) ✦✦✦½ [+]
- Thor: Love and Thunder (Waititi, 2022) ✦✦ [+]
Anyhow, while I appreciated the general lack of action in favour of something more tranquil and cerebral, I was surprised at how liberally this movie ripped entire ideas from other films.
Yes, it's a nice looking picture, but you've seen the Icelandic vistas before in Prometheus and that includes what appears to be the exact same waterfall that opens the 2012 flick.
I will admit to being baffled by some of it, but contrary to something like Inception, where one simply feels that the complex plot demands a second viewing, here my general confusion can probably be attributed to the ramshackle script.
Kosinski is nil for two I'm afraid.
Stunning score however.
[+] closer to next rating / [-] closer to previous rating
- Dark (S3) ✦✦✦½ [-]
- Fall (Mann, 2022) ✦✦✦½ [-]
- Ms. Marvel (S1) ✦½ [+]
- Dark (S2) ✦✦✦✦
- Moon Knight (S1) ✦✦½ [-]
- Get Carter (Hodges, 1971) ✦✦✦½ [+]
- Prey (Trachtenberg, 2022) ✦✦✦ [-]
- Black Bird (S1) ✦✦✦✦
- Better Call Saul (S6) ✦✦✦½ [+]
- Halo (S1) ✦✦✦ [-]
- Slow Horses (S1) ✦✦✦½ [+]
- H4Z4RD (Govaerts, 2022/BE) ✦✦½ [-]
- Gangs of London (S1) ✦✦✦½ [+]
- We Own This City (S1) ✦✦✦½ [+]
- Thor: Love and Thunder (Waititi, 2022) ✦✦ [+]
One for one here, still looking forward to this.
Same here.Quoting [ETM] (view post)
This is all that matters.Quoting Morris Schæffer (view post)
Giving up in 2020. Who cares.
maɬni – towards the ocean, towards the shore (Sky Hopinka) ***½
Without Remorse (Stefano Sollima) *½
The Marksman (Robert Lorenz) **
Beckett (Ferdinando Cito Filomarino) *½
Night Hunter (David Raymond) *
I listened to a good chunk of the score that was streaming online a week or so ago, and I may have been disappointed because I was hoping for something that sounded more like a standalone M83 album, whereas this is more like a synergy between your typical Hollywood orchestral score with the M83 sound, only I'd say the influence leans more towards the former than the latter.
Letterboxd rating scale:
The Long Riders (Hill) ***
Furious 7 (Wan) **½
Hard Times (Hill) ****½
Another 48 Hrs. (Hill) ***
/48 Hrs./ (Hill) ***½
The Extraordinary Adventures of Adèle Blanc-Sec (Besson) ***
/Unknown/ (Collet-Serra) ***½
Animal (Simmons) **
The last track, "Oblivion", featuring the vocals of Susanne Sundfør, is spectacular.
Quoting Rowland (view post)
So it's kind of like the Daft Punk score for Tron Legacy?
Joseph Trapanese was heavily involved in both, so it's no accident.Quoting megladon8 (view post)
How the fuck did I not know that M83 did the score for this? That's fucking awesome!Quoting Rowland (view post)
Last Five Films I've Seen (Out of 5)
The Boy, The Mole, The Fox and the Horse (Mackesy, 2022) 4.5
Puss In Boots: The Last Wish (Crawford, 2022) 4
Confess, Fletch (Mottola, 2022) 3.5
M3GAN (Johnstone, 2023) 3.5
Turning Red (Shi, 2022) 4.5
Tokyo Story (Ozu, 1953) 5
615 Film
Letterboxd
I don't see how you could be confused by this, Morris. It pretty much explains the plot to you in a lengthy exposition scene near the end. There's nothing mind-bending about it.
I did like the first 1/3 of this film quite a bit. It's very WALL-E-ish in that very little dialogue is spoken. However, once it started turning into other familiar sci-fi films from the past few years, it became nothing special.
Sure why not?
STAR WARS: THE LAST JEDI (Rian Johnson) - 9
STRONGER (David Gordon Green) - 6
THE DISASTER ARTIST (James Franco) - 7
THE FLORIDA PROJECT (Sean Baker) - 9
LADY BIRD (Greta Gerwig) - 8
"Hitchcock is really bad at suspense."
- Stay Puft
Yep - like Tron. I don't understand the point of getting creative synth/sound design guys to do soundtracks, if the soundtracks are just going to end up being mostly the same, boring old symphonic score stuff we always get.Quoting Rowland (view post)
The soundtrack in question here is total dullsville.
Should have went with the best - tomandandy.
I love me some boring old symphonic score stuff.
Different standards, I guess. It had affecting moments.
I don't think it looks great. Washed out and sterile. I can't remember the score one way or the other.
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
Well, that's okay too, I guess.
All this Tron talk made me rewatch this today. Yes the story is thinly laid out and not a novel idea by any stretch... but god damn the camera and music work move this thing along. Can't remember the last time I wanted to watch a movie strictly for these types of technical reasons and barely care about the story.
The climax of this movie is so metal too