ARGO
Director: Ben Affleck
imdb
ARGO
Director: Ben Affleck
imdb
The "true story" was Canadians.
Seems a bit weird that it was seemingly turned into an "America! Fuck yeah!" story.
"All right, that's too hot. Anything we can do about that heat?"
"Rick...it's a flamethrower."
Canada needs to make a movie where they are the first to the moon, out of revenge.
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
Certainly one of the best movies this year. Affleck's best by far.
Four stars; one for each hysterical coincidence in the third act.
Pretty good. Certainly tense enough, but the hostages weren't humanized enough for there to be any substantial emotional payoff a la Apollo 13. Arkin is the standout.
Anyone else reminded of Michael Scott when they resorted to posing as an elementary school employee in order to get someone's attention?
More like four stars, with .25 subtracted for each coinkydink.Quoting eternity (view post)
Anyway, it was pretty entertaining if forgettable. Kinda disappointed that Affleck's films as director are getting progressively more ordinary (wish he hadn't cast himself either).
Tense and engaging. I would say that the opening sequence works best. I liked the way the film uses archival footage. A few moments strained credibility and seemed a little too manipulative (the release of tickets at airport check-in, the phone call to the studio, the chase on the runway). I'm also not certain that there is a whole lot of story here. There's a set-up and a conclusion, but there isn't a whole lot in the middle. Still, the film should be commended for contextualizing Iranian anger and creating a palpable sense of tension.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
Just been reading up on the historical inspiration for this film. Boy, there were even more liberties taken with this story than I realized.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
Read this.Quoting Spinal (view post)
http://bellacaledonia.org.uk/2012/11...laic-thinking/
Good stuff. I was caught up in the film as I was watching it, but I've felt kind of guilty for enjoying it ever since. Affleck's credits contain side-by-side pictures of images from both the film and historical inspiration as if to say, 'We did our research. You can trust us.' But it just doesn't seem like this film is very trustworthy historically. And while historical accuracy may not be essential for certain kinds of film, I think this is a movie that really needs to have that kind of integrity because it is dealing with sensitive relations between nations that are still a danger to each other.Quoting Brude (view post)
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
Why does number8 get two votes?
This was great. Fantastic tension in the last act, I don't care about the coincidences/close calls. It works and it works great.
Haven't read up on issues of historical accuracy, but the best thing about this movie is how it directly deals with the political history and society of Iran. It's essentially an American film that half takes place in Iran and can be said to be about Iran, so it has that much credit for that. Affleck is an idealist, and miraculously not a simple-minded one - Argo retains the sense of even-handedness and willingness to engage evenly about touchy matters that is in his other films.
But I was disappointed, I thought it was hugely uneven. It's generally saved by Affleck remaining a confident visual filmmaker, but it completely derailed for me once Hollywood enters the picture and suddenly begins to move in schematic Hollywood-scriptwriting shorthand. And Affleck does not know how to meld the politics with the "fun stuff" without it turning over completely, e.g. the table read/hostage negotiating parallel editing... blech.
A good finish, though. The previously awful "Affleck's son" stuff is redeemed as a way to bring a 70s political thriller into the realm of 00s Affleck film, with the political thriller cipher finding his way into affecting Affleck-style home and hearth appreciation.
The Act of Killing (Oppenheimer 13) - A
Stranger by the Lake (Giraudie 12) - B
American Hustle (Russell 13) - C+
The Wolf of Wall Street (Scorsese 13) - C+
Passion (De Palma 12) - B
Yeah, that option was available on the old site. Doesn't appear to be the case here, though. :\Quoting EyesWideOpen (view post)