Song lyrics

[SpaceOddity]

Favourites? Do you prefer them to tell a story or just depict emotion?

*votes narrative*

[transmogrifier]

One of my favorite opening verses:

Oh God said to Abraham, "Kill me a son"
Abe says, "Man, you must be puttin' me on"
God say, "No." Abe say, "What ?"
God say, "You can do what you want Abe, but
The next time you see me comin' you better run"
Well Abe says, "Where do you want this killin' done ?"
God says. "Out on Highway 61".

ANd one of my favorite closing:

Did you ever wish me dead
Oh lover boy, oh fever head?

No you must not go away
How will you ever walk again?

And I, I might as well be dead
But I could kill you instead...

[MadMan]

Favourites? Do you prefer them to tell a story or just depict emotion?

*votes narrative*

I favor both. I also love lyrics that a playful or clever as well. However one of my favorite batch of lyrics is pretty meaningful and emotionally powerful to me:

So, so you think you can tell Heaven from Hell,
blue skies from pain.
Can you tell a green field from a cold steel rail?
A smile from a veil?
Do you think you can tell?
And did they get you to trade your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange a walk on part in the war for a lead role in a cage?
How I wish, how I wish you were here.
We're just two lost souls swimming in a fish bowl, year after year,
Running over the same old ground.
What have you found? The same old fears.
Wish you were here.

The bolded part is my favorite. And for those who don't know its Wish You Were Here by Pink Floyd.

[Duncan]

By David Berman of the Silver Jews:

" I wrote a letter to a wildflower
on a classic nitrogen afternoon.
Some power that hardly looked like power
said I'm only perfect in an empty room.

Four dogs in the distance
each stands for a kindness.
Bluebirds lodged in an evergreen altar…
I'm gonna shine out in the wild silence
and spurn the sin of giving in.

Oil paintings of x-rated picnics.
Behind the walls of medication I'm free.
Every falling leaf in a compact mirror
hits a target that we can't see.

Grass grows in the icebox.
The year ends in the next room
It is autumn and my camouflage is dying
instead of time there will be lateness
and let forever be delayed.

I died my hair in a motel void
met the coroner at the Dreamgate Frontier
He took may hand said I'll help you boy
ff you really want to disappear

Four dogs in the distance
each stands for a silence.
Bluebirds lodged in an evergreen altar…
I'm gonna shine out in the wild kindness
and hold the world to its word."

[Boner M]

I don't like - or rather, never follow - lyrics that tell narratives. I like confessional lyrics the best; naked, honest, direct. So yeah, I prefer songwriting to depict emotion.

By that criteria, I feel Bonnie "Prince" Billy's "I See a Darkness" has the perfect lyrics:

Well, you're my friend
And can you see
Many times we've been out drinking
Many times we've shared our thoughts
But did you ever, ever notice, the kind of thoughts I got
Well you know I have a love, for everyone I know
And you know I have a drive, to live I won't let go
But can you see this opposition, comes rising up sometimes
That is dread full imposition, comes blacking in my mind


And then I see a darkness
And then I see a darkness
And then I see a darkness
And then I see a darkness
Did you know how much I love you
There's a hope that somehow you
Can save me from this darkness


Well I hope that someday buddy
We'll have peace in our lives
Together or apart
Alone or with our wives
And we can stop our whoring
And pull the smiles inside
And light it up forever
And never go to sleep
My best unbeaten brother
This isn't all I see


Oh no, I see your darkness
Oh no, I see your darkness
Oh no, I see your darkness
Oh no, I see your darkness
Did you know how much I love you
There's a hope that somehow you
You'll save me from this darkness

[D_Davis]

I like narrative based and emotional based lyrics. Just depends really.

My favorite lyricist is Roger Waters. His work on Dark Side, Wish You Were Here, The Final Cut, and The Pros and Cons of Hitchhiking is second to none. He is a wordsmith above most others in the field.

"The Final Cut"

through the fish eyed lens of tear stained eyes
i can barely define the shape of this moment in time
and far from flying high in clear blue skies
i'm spiralling down to the hole in the ground where i hide
if you negotiate the minefield in the drive
and beat the dogs and cheat the cold electronic eyes
and if you make it past the shotgun in the hall
dial the combination. open the priesthole
and if i'm in i'll tell you what's behind the wall
there's a kid who had a big hallucination
making love to girls in magazines
he wonders if you're sleeping with your new found faith
could anybody love him
or is it just a crazy dream
and if i show you my dark side
will you still hold me tonight
and if i open my heart to you
and show you my weak side
what would you do
would you sell your story to rolling stone
would you take the children away
and leave me alone
and smile in reassurance
as you whisper down the phone
would you send me packing
or would you take me home
thought i oughta bare my naked feelings
thought i oughta tear the curtain down
i held the blade in trembling hands
prepared to make it but just then the phone rang
i never had the nerve to make the final cut

[dreamdead]

Throw me down for simple and honest confessional lyrics. My favorite:

"Take it with Me," by Tom Waits

Phone's off the hook
No one knows where we are
It's a long time since I
Drank champagne
The ocean is blue
As blue as your eyes
I'm gonna take it with me
When I go

Old long since gone
Now way back when
We lived in Coney Island
Ain't no good thing
Ever dies
I'm gonna take it with me
When I go

Far far away a train
Whistle blows
Wherever you're goin
Wherever you've been
Waving good bye at the end
Of the day
You're up and you're over
And you're far away

Always for you, and
Forever yours
It felt just like the old days
We fell asleep on Beaula's porch
I'm gonna take it with me
When I go

All broken down by
The side of the road
I was never more alive or
Alone
I've worn the faces off
All the cards
I'm gonna take it with me
When I go

Children are playing
At the end of the day
Strangers are singing
On our lawn
It's got to be more
Than flesh and bone
All that you're loved
Is all you own

In a land there's a town
And in that town there's
A house
And in that house
There's a woman
And in that woman
There's a hart I love
I'm gonna take it
With me when I go
I'm gonna take it
With me when I go

[Horbgorbler]

Narrative, generally, though I'm picky about those, too. I find that most attempts at conveying some sort of profound emotion through grand sweeping gestures (crescendo!) or contrived intimacy (man + guitar + pain) ring hollow.

I'm also a big stickler for exact rhymes, preferably feminine and internal; "aluminum"/"cinnamon" = :frustrated:

Anyway, these are the best opening lines ever:

He used to wear fedoras,
But now he sports a fez;
There's cabalistic innuendos
In everything he sez.

Oh, and as for that rare, overrated bird "lyrics you can relate to":

Don't fall in love with me yet
We've only recently met
True I'm in love with you, but
You might decide I'm a nut
Give me a week or two to
Go absolutely cuckoo
Then, when you see your error,
then you can flee in terror
Like everybody else does
I only tell you this cuz
I'm easy to get rid of,
but not if you fall in love.
Know now that I'm on the make
And if you make a mistake
My heart will certainly break,
I'll have to jump in a lake
And all my friends will blame you
There's no telling what they'll do.
It's only fair to tell you
I'm absolutely cuckoo.

[D_Davis]

Tom Waits is good. He also writes good ballads and narrative driven songs, he's kind of a modern day Marty Robbins.

I also really like Adrien Belew's and Brian Eno's lyrics. They dabble in a bit of nonsense now and again, but their lyrics always fit the tone of the song.

[Melville]

I have a tendency to ignore lyrics when listening to music, so my choices of favorites are undoubtedly based more on how they sound in context than how well they stand up on their own.

My favorite opening: Roy Orbison, In Dreams

A candy-colored clown they call the sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
Go to sleep. everything is all right.

My favorite chorus: Johnny Cash, When the Man Comes Around

Hear the trumpets, hear the pipers
One hundred million angels singing
Multitudes are marching to the big kettledrum
Voices calling, voices crying
Some are born and some are dying
It's Alpha and Omega's kingdom come

My favorite all around: The Velvet Underground, Venus in Furs

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Clubs and bells, your servant, dont forsake him
Strike, dear mistress, and cure his heart

Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, severin awaits you there

I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears

[bac0n]

Speaking of Marty Robbins, "El Paso" might contain my favorite narrative-style lyrics in the history of man. It's like a Sergeo Leone western put to music.

Otherwise, I prefer fellas who can say powerful things with common words, a feat far more difficult in my eyes than guys who jury-rig complex obtuse metaphors that only graduate students of English might appreciate.

My favorite example of such a person is probably Joseph Arthur. His lyrics have a Billy Collins kinda quality to them, with simple lines that evoke powerful images, ilke "a smile that explodes" and "our shadows will remain even after we are gone."

[Melville]

And just to mix things up a bit, I'll mention good old Robbie Burns:

Should auld acquaintance be forgot,
and never brought to mind ?
Should auld acquaintance be forgot,
and auld lang syne ?

CHORUS:
For auld lang syne, my dear,
for auld lang syne,
we’ll take a cup o’ kindness yet,
for auld lang syne.

And surely ye’ll be your pint-stoup !
And surely I’ll be mine !
And we’ll take a cup o’ kindness yet,
for auld lang syne.

CHORUS

We twa hae run about the braes,
and pou’d the gowans fine ;
But we’ve wander’d mony a weary fit,
sin’ auld lang syne.

CHORUS

We twa hae paidl’d in the burn,
frae morning sun till dine ;
But seas between us braid hae roar’d
sin’ auld lang syne.

CHORUS

And there’s a hand, my trusty fiere !
And gies a hand o’ thine !
And we’ll tak a right gude-willie-waught,
for auld lang syne.

CHORUS

[D_Davis]

Speaking of Marty Robbins, "El Paso" might contain my favorite narrative-style lyrics in the history of man. It's like a Sergeo Leone western put to music.

Hells yeah!

[Duncan]

Does Robbie Burns actually get sung?

I could pick just about any Leonard Cohen song, but lately this is the one I've been listening to most often.


"The Butcher"

I came upon a butcher,
he was slaughtering a lamb,
I accused him there
with his tortured lamb.
He said, "Listen to me, child,
I am what I am
and you, you are my only son."
Well, I found a silver needle,
I put it into my arm.
It did some good,
did some harm.
But the nights were cold
and it almost kept me warm,
how come the night is long?

I saw some flowers growing up
where that lamb fell down;
was I supposed to praise my Lord,
make some kind of joyful sound?
He said, "Listen, listen to me now,
I go round and round
and you, you are my only child."

Do not leave me now,
do not leave me now,
I'm broken down
from a recent fall.
Blood upon my body
and ice upon my soul,
lead on, my son, it is your world.

[Melville]

Does Robbie Burns actually get sung?

Every New Year, all around the world. Also at graduation ceremonies in Southeast Asia, apparently:
http://en.wikipedia.org/wiki/Auld_Lang_Syne

[Kurosawa Fan]

Bob Dylan must dominate this thread. Must. Here are a few favorites of mine:

A Hard Rain's A-Gonna Fall:

Oh, what'll you do now, my blue-eyed son?
Oh, what'll you do now, my darling young one?
I'm a-goin' back out 'fore the rain starts a-fallin',
I'll walk to the depths of the deepest black forest,
Where the people are many and their hands are all empty,
Where the pellets of poison are flooding their waters,
Where the home in the valley meets the damp dirty prison,
Where the executioner's face is always well hidden,
Where hunger is ugly, where souls are forgotten,
Where black is the color, where none is the number,
And I'll tell it and think it and speak it and breathe it,
And reflect it from the mountain so all souls can see it,
Then I'll stand on the ocean until I start sinkin',
But I'll know my song well before I start singin',
And it's a hard, it's a hard, it's a hard, it's a hard,
It's a hard rain's a-gonna fall.

Here's It's Alright Ma (I'm Only Bleeding) in its entirety, because it's necessary:

Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying.

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool's gold mouthpiece
The hollow horn plays wasted words
Proves to warn
That he not busy being born
Is busy dying.

Temptation's page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
You feel to moan but unlike before
You discover
That you'd just be
One more person crying.

So don't fear if you hear
A foreign sound to your ear
It's alright, Ma, I'm only sighing.

As some warn victory, some downfall
Private reasons great or small
Can be seen in the eyes of those that call
To make all that should be killed to crawl
While others say don't hate nothing at all
Except hatred.

Disillusioned words like bullets bark
As human gods aim for their mark
Made everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much
Is really sacred.

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have
To stand naked.

An' though the rules of the road have been lodged
It's only people's games that you got to dodge
And it's alright, Ma, I can make it.

Advertising signs that con you
Into thinking you're the one
That can do what's never been done
That can win what's never been won
Meantime life outside goes on
All around you.

You lose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
That somebody thinks
They really found you.

A question in your nerves is lit
Yet you know there is no answer fit to satisfy
Insure you not to quit
To keep it in your mind and not fergit
That it is not he or she or them or it
That you belong to.

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to.

For them that must obey authority
That they do not respect in any degree
Who despise their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something
They invest in.

While some on principles baptized
To strict party platform ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God bless him.

While one who sings with his tongue on fire
Gargles in the rat race choir
Bent out of shape from society's pliers
Cares not to come up any higher
But rather get you down in the hole
That he's in.

But I mean no harm nor put fault
On anyone that lives in a vault
But it's alright, Ma, if I can't please him.

Old lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn't talk, it swears
Obscenity, who really cares
Propaganda, all is phony.

While them that defend what they cannot see
With a killer's pride, security
It blows the minds most bitterly
For them that think death's honesty
Won't fall upon them naturally
Life sometimes
Must get lonely.

My eyes collide head-on with stuffed graveyards
False gods, I scuff
At pettiness which plays so rough
Walk upside-down inside handcuffs
Kick my legs to crash it off
Say okay, I have had enough
What else can you show me?

And if my thought-dreams could be seen
They'd probably put my head in a guillotine
But it's alright, Ma, it's life, and life only.


Here's two from Not Dark Yet:

Shadows are falling and I've been here all day
It's too hot to sleep time is running away
Feel like my soul has turned into steel
I've still got the scars that the sun didn't heal
There's not even room enough to be anywhere
It's not dark yet, but it's getting there

I was born here and I'll die here against my will
I know it looks like I'm moving, but I'm standing still
Every nerve in my body is so vacant and numb
I can't even remember what it was I came here to get away from
Don't even hear a murmur of a prayer
It's not dark yet, but it's getting there.


And here's With God On Our Side in its entirety:

Oh my name it is nothin'
My age it means less
The country I come from
Is called the Midwest
I's taught and brought up there
The laws to abide
And that land that I live in
Has God on its side.

Oh the history books tell it
They tell it so well
The cavalries charged
The Indians fell
The cavalries charged
The Indians died
Oh the country was young
With God on its side.

Oh the Spanish-American
War had its day
And the Civil War too
Was soon laid away
And the names of the heroes
I's made to memorize
With guns in their hands
And God on their side.

Oh the First World War, boys
It closed out its fate
The reason for fighting
I never got straight
But I learned to accept it
Accept it with pride
For you don't count the dead
When God's on your side.

When the Second World War
Came to an end
We forgave the Germans
And we were friends
Though they murdered six million
In the ovens they fried
The Germans now too
Have God on their side.

I've learned to hate Russians
All through my whole life
If another war starts
It's them we must fight
To hate them and fear them
To run and to hide
And accept it all bravely
With God on my side.

But now we got weapons
Of the chemical dust
If fire them we're forced to
Then fire them we must
One push of the button
And a shot the world wide
And you never ask questions
When God's on your side.

In a many dark hour
I've been thinkin' about this
That Jesus Christ
Was betrayed by a kiss
But I can't think for you
You'll have to decide
Whether Judas Iscariot
Had God on his side.

So now as I'm leavin'
I'm weary as Hell
The confusion I'm feelin'
Ain't no tongue can tell
The words fill my head
And fall to the floor
If God's on our side
He'll stop the next war.




I'll be back with more.

[Melville]

Bob Dylan must dominate this thread. Must.

True. I'll go with the cliche choice:

They're selling postcards of the hanging
They're painting the passports brown
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They've got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they're restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row

Cinderella, she seems so easy
"It takes one to know one," she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he's moaning
"You Belong to Me I Believe"
And someone says," You're in the wrong place, my friend
You better leave"
And the only sound that's left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row

Now the moon is almost hidden
The stars are beginning to hide
The fortunetelling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he's dressing
He's getting ready for the show
He's going to the carnival tonight
On Desolation Row

Now Ophelia, she's 'neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid

To her, death is quite romantic
She wears an iron vest
Her profession's her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah's great rainbow
She spends her time peeking
Into Desolation Row

Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
Now you would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row

Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They're trying to blow it up
Now his nurse, some local loser
She's in charge of the cyanide hole
And she also keeps the cards that read
"Have Mercy on His Soul"
They all play on penny whistles
You can hear them blow
If you lean your head out far enough
From Desolation Row

Across the street they've nailed the curtains
They're getting ready for the feast
The Phantom of the Opera
A perfect image of a priest
They're spoonfeeding Casanova
To get him to feel more assured
Then they'll kill him with self-confidence
After poisoning him with words

And the Phantom's shouting to skinny girls
"Get Outa Here If You Don't Know
Casanova is just being punished for going
To Desolation Row"

Now at midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row

Praise be to Nero's Neptune
The Titanic sails at dawn
And everybody's shouting
"Which Side Are You On?"
And Ezra Pound and T. S. Eliot
Fighting in the captain's tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row

Yes, I received your letter yesterday
(About the time the door knob broke)
When you asked how I was doing
Was that some kind of joke?
All these people that you mention
Yes, I know them, they're quite lame
I had to rearrange their faces
And give them all another name
Right now I can't read too good
Don't send me no more letters no
Not unless you mail them
From Desolation Row

[Kurosawa Fan]

True. I'll go with the cliche choice

Nice. This would've been in batch #2 for me.

[Duncan]

Every New Year, all around the world. Also at graduation ceremonies in Southeast Asia, apparently:
http://en.wikipedia.org/wiki/Auld_Lang_Syne

Huh, I thought he only wrote poems.

[Raiders]

Leonard Cohen, all the way. My favorite song of his is "Avalanche"...

Well I stepped into an avalanche,
It covered up my soul;
When I am not this hunchback that you see,
I sleep beneath the golden hill.
You who wish to conquer pain,
You must learn, learn to serve me well.

You strike my side by accident
As you go down for your gold.
The cripple here that you clothe and feed
Is neither starved nor cold;
He does not ask for your company,
Not at the centre, the centre of the world.

When I am on a pedestal,
You did not raise me there.
Your laws do not compel me
To kneel grotesque and bare.
I myself am the pedestal
For this ugly hump at which you stare.

You who wish to conquer pain,
You must learn what makes me kind;
The crumbs of love that you offer me,
Theyre the crumbs Ive left behind.
Your pain is no credential here,
Its just the shadow, shadow of my wound.

I have begun to long for you,
I who have no greed;
I have begun to ask for you,
I who have no need.
You say youve gone away from me,
But I can feel you when you breathe.

Do not dress in those rags for me,
I know you are not poor;
You dont love me quite so fiercely now
When you know that you are not sure,
It is your turn, beloved,
It is your flesh that I wear.

[Horbgorbler]

I was riding on the Mayflower
When I thought I spied some land
I yelled for Captain Arab
I have yuh understand
Who came running to the deck
Said, "Boys, forget the whale
Look on over yonder
Cut the engines
Change the sail
Haul on the bowline"
We sang that melody
Like all tough sailors do
When they are far away at sea

"I think I'll call it America"
I said as we hit land
I took a deep breath
I fell down, I could not stand
Captain Arab he started
Writing up some deeds
He said, "Let's set up a fort
And start buying the place with beads"
Just then this cop comes down the street
Crazy as a loon
He throw us all in jail
For carryin' harpoons

Ah me I busted out
Don't even ask me how
I went to get some help
I walked by a Guernsey cow
Who directed me down
To the Bowery slums
Where people carried signs around
Saying, "Ban the bums"
I jumped right into line
Sayin', "I hope that I'm not late"
When I realized I hadn't eaten
For five days straight

I went into a restaurant
Lookin' for the cook
I told them I was the editor
Of a famous etiquette book
The waitress he was handsome
He wore a powder blue cape
I ordered some suzette, I said
"Could you please make that crepe"
Just then the whole kitchen exploded
From boilin' fat
Food was flying everywhere
And I left without my hat

Now, I didn't mean to be nosy
But I went into a bank
To get some bail for Arab
And all the boys back in the tank
They asked me for some collateral
And I pulled down my pants
They threw me in the alley
When up comes this girl from France
Who invited me to her house
I went, but she had a friend
Who knocked me out
And robbed my boots
And I was on the street again

Well, I rapped upon a house
With the U.S. flag upon display
I said, "Could you help me out
I got some friends down the way"
The man says, "Get out of here
I'll tear you limb from limb"
I said, "You know they refused Jesus, too"
He said, "You're not Him
Get out of here before I break your bones
I ain't your pop"
I decided to have him arrested
And I went looking for a cop

I ran right outside
And I hopped inside a cab
I went out the other door
This Englishman said, "Fab"
As he saw me leap a hot dog stand
And a chariot that stood
Parked across from a building
Advertising brotherhood
I ran right through the front door
Like a hobo sailor does
But it was just a funeral parlor
And the man asked me who I was

I repeated that my friends
Were all in jail, with a sigh
He gave me his card
He said, "Call me if they die"
I shook his hand and said goodbye
Ran out to the street
When a bowling ball came down the road
And knocked me off my feet
A pay phone was ringing
It just about blew my mind
When I picked it up and said hello
This foot came through the line

Well, by this time I was fed up
At tryin' to make a stab
At bringin' back any help
For my friends and Captain Arab
I decided to flip a coin
Like either heads or tails
Would let me know if I should go
Back to ship or back to jail
So I hocked my sailor suit
And I got a coin to flip
It came up tails
It rhymed with sails
So I made it back to the ship

Well, I got back and took
The parkin' ticket off the mast
I was ripping it to shreds
When this coastguard boat went past
They asked me my name
And I said, "Captain Kidd"
They believed me but
They wanted to know
What exactly that I did
I said for the Pope of Eruke
I was employed
They let me go right away
They were very paranoid

Well, the last I heard of Arab
He was stuck on a whale
That was married to the deputy
Sheriff of the jail
But the funniest thing was
When I was leavin' the bay
I saw three ships a-sailin'
They were all heading my way
I asked the captain what his name was
And how come he didn't drive a truck
He said his name was Columbus
I just said, "Good luck."

It's sad how often people forget that Dylan could be hilarious.

[Sycophant]

Being a cold-hearted, soulless, analytical being, without most visceral or rhythmic understandings of passion, life, or music that people generally associate with human qualities, lyrics are a major, major part of why I listen to music.

Here's a favorite:

Elliott Smith, "The Biggest Lie"

i'm waiting for the train
the subway that only goes one way
the stupid thing that will come to pull us apart
and make everybody late
you spent everything you had
wanted everything to stop that bad
and now i'm a crushed credit card registered to smith
not the name that you call me with
you turned white like a saint
i'm tired of dancing on a pot of gold flake paint
oh we're so very precious, you and i
and everything that you do makes me want to die
oh i just told the biggest lie
i just told the biggest lie
the biggest lie

I like lyrics that describe emotion, or tell stories, or maybe even do both. I won't post lyrics, but I'm a big fan of both Colin Meloy and Jeff Mangum's lyrical styles as well.

[Duncan]

I'm pretty sure Colin Meloy has ripped off more than one of Magnum's rhymes.

[Sycophant]

I'm pretty sure Colin Meloy has ripped off more than one of Magnum's rhymes.

Well, I don't know that The Decemberists are terribly shy of the fact that they're heavily influenced by Neutral Milk Hotel.

[Raiders]

Call me mainstream, but my favorite Dylan song remains "Visions of Johanna":

Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it
And Louise holds a handful of rain, temptin' you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind

In the empty lot where the ladies play blindman's bluff with the key chain
And the all-night girls they whisper of escapades out on the "D" train
We can hear the night watchman click his flashlight
Ask himself if it's him or them that's really insane
Louise, she's all right, she's just near
She's delicate and seems like the mirror
But she just makes it all too concise and too clear
That Johanna's not here
The ghost of 'lectricity howls in the bones of her face
Where these visions of Johanna have now taken my place

Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
How can I explain?
Oh, it's so hard to get on
And these visions of Johanna, they kept me up past the dawn

Inside the museums, Infinity goes up on trial
Voices echo this is what salvation must be like after a while
But Mona Lisa musta had the highway blues
You can tell by the way she smiles
See the primitive wallflower freeze
When the jelly-faced women all sneeze
Hear the one with the mustache say, "Jeeze
I can't find my knees"
Oh, jewels and binoculars hang from the head of the mule
But these visions of Johanna, they make it all seem so cruel

The peddler now speaks to the countess who's pretending to care for him
Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"
But like Louise always says
"Ya can't look at much, can ya man?"
As she, herself, prepares for him
And Madonna, she still has not showed
We see this empty cage now corrode
Where her cape of the stage once had flowed
The fiddler, he now steps to the road
He writes ev'rything's been returned which was owed
On the back of the fish truck that loads
While my conscience explodes
The harmonicas play the skeleton keys and the rain
And these visions of Johanna are now all that remain