Because it deserves its own thread on this forum too:
I'm not sure that John Carney's Once is an objectively great film. After all, the aesthetic is mostly uninteresting; the ideas are a bit basic, and the film consists of more music than narrative. The most common criticism of the film has to be that one has to appreciate the film's music to appreciate the overall work. That's probably true. However, can we really use that as an objective knock against the film? Wouldn't that be the same as saying one has to appreciate the photography of Citizen Kane to appreciate the whole thing? In film criticism, we seem to describe visual style with objective language all the time while film music is rarely spoken of in those terms. Perhaps it does not make sense to judge music without accounting for personal taste, but the same has to be true for many other aspects of film. I may not know if the music in Once is objectively good music, but I do know that I enjoyed the heck out of it, and I suppose that's all that matters.
While the music obviously plays a huge role in the in its success, it would be incorrect to say that this is the only thing the film does right. Once goes from great music to great cinema in its moments. Describing a musical as having pitch perfect scenes may be disgustingly cheesy, but for this film, it is unavoidable. Typically, musicals are pure fantasy both in their musical sequences and their overall narrative. Carney pairs his stripped down musical numbers with scenes that feel equally true to life. I've seen few scenes that have felt as uncomfortably realistic as a sleepover rejection shown early in the film. Later, there is a simply remarkable goodbye scene between father and son that is just stunning in how each beat is handled so perfectly. The scene is so subdued, yet so quietly devastating. It's scenes like these that truly make the film. Even when the music takes center stage, it's the developing moments before the finished songs that really grabs us. It may be true that the film has more than its share of objective flaws, but from scene to scene, there are so many perfectly realized moments. These moments will linger much longer than minor grievances will. As imperfect as it may be, I have little doubt that Once will remain perfect in my mind for a long time to come.
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