Couldn't find a thread for this, so here it is. Supposed to be released in the US later this month. Looks excellent, and to have easily the best use of 3D in a film so far.
The site won't embed the trailer, so here it is.
Couldn't find a thread for this, so here it is. Supposed to be released in the US later this month. Looks excellent, and to have easily the best use of 3D in a film so far.
The site won't embed the trailer, so here it is.
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames
Quoting Brightside (view post)
And you're judging this by what exactly?
Sure why not?
STAR WARS: THE LAST JEDI (Rian Johnson) - 9
STRONGER (David Gordon Green) - 6
THE DISASTER ARTIST (James Franco) - 7
THE FLORIDA PROJECT (Sean Baker) - 9
LADY BIRD (Greta Gerwig) - 8
"Hitchcock is really bad at suspense."
- Stay Puft
By the fact that it looks awesome, and the premise sounds perfect for 3D.
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames
The perfect marriage of subject matter and director. This film captures the artistry of a genius and does so with care and delicacy. Wenders never strays too far from Pina's extraordinary work, but also masterfully allows us to experience the individuality of each of Pina's dancers. We see how Pina was not just a dictator who ordered around a collection of bodies. We see how she cherished difference and individuality and brought that out in those she worked with. Achingly beautiful.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
What Spinal said. Absolutely fantastic use of 3D, too. First 3D movie I've seen where I really can't imagine seeing it in 2D.
Movie Theater Diary
Yes to all of this.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
I fell asleep to this during Telluride. It was 8 AM, and I was out till 2 AM the night prior. Not the best of viewing circumstances.
easily my favorite documentary from the last year.
Oh, yes, this is lovely.
I'm writing for Slant Magazine now, so check out my list of reviews.
Hopefully I'll have the energy to update my signature soon.
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