Maybe, as it has been a few years.Quoting soitgoes... (view post)
I think we can agree though that A Lesson in Love is a mediocre comedy. And Smiles of a Summer Night is charming enough but not especially memorable either.
The Seventh Seal is like a filmed thesis rather than a movie. Wild Strawberries is marginally better, despite the slow, disjointed narrative, but it's still burdened with a tendency towards symbolism, as if film only becomes Art when the thing placed in front of the camera isn't itself but a symbol for something else. In these films, Bergman seems to be working against the grain of his chosen medium.
I have little use for angsty gab-fests, like Through a Glass, Darkly and Winter Light. I like the The Silence better in part because there's less dialogue.
I can barely remember The Passion of Anna, but it struck me as fairly mediocre at the time. And I've only seen the theatrical version of Fanny and Alexander which only interested me in the second hour, when the mother marries the priest. Those I should probably revisit.
And Saraband was a talky bore.