I haven't read too much about that one, but from what I understand, it's a crowd-pleasing high school comedy that checks all the right SJW boxes signifying "contemporary relevance," and therefore much more likely to cross over to a non-festival audience (i.e., nuance-averse liberal hipsters who care more about a film having the right politics than the right aesthetics) than Claire Denis at her most unrelentingly dour.Quoting Ezee E (view post)