Quoting
Russ (view post)
I noticed how the vast majority of these are much older films. Nowadays, is it a cost-prohibitive environment that's responsible for the CGI stand-in we might see in really large crowd shots? Part of the huge thrill of seeing something like that on-screen was in the knowledge that someone had to supervise the logistical nightmare of such an assemblage -- and it frequently culminated in a shot that was marveled at from both a technical perspective and an emotional one. I hate the disconnect that we get now on so many of the manufactured shots.