That's how I felt after I finished The Forbidden Room. I was loving it after the first fifteen minutes, but I started looking at my watch either after the fifth phallic symbol, or a segment where the mustache of Udo Kier's character longed to return to his blind wife. I loved the overall look of the film, and there were moments where I was thinking, "Why couldn't THIS segment be silent, like the one before it?", so there is a pining for a return to the silent era there, but overall, I thought it was absurd for the sake of being absurd. Maybe I'm too stupid to get it. Maybe I was just too excited after its excellent trailers. Or maybe Guy Maddin just isn't my cup of tea.Quoting Lazlo (view post)