I forgot how great the score for Contagion was.
I forgot how great the score for Contagion was.
TV Recently Finished:
Catastrophe: Season 1 (2015) A
Rectify: Season 3 (2015) A-
Bojack Horseman: Season 2 (2015) A
True Detective: Season 2 (2015) A-
Wayward Pines: Season 1 (2015) B
Currently Playing: Viva Pinata: Trouble in Paradise (replay) (XB1) / Contradiction (PC)
Recently Finished: Everybody's Gone to the Rapture (PS4) A+ / Life is Strange: Ep 4 (PS4) A / Bastion (replay) (PS4) B+
My friend criticised it for sounding too Windows '95, which is kinda why I love it.Quoting EyesWideOpen (view post)
Nice, thanks.Quoting Isaac (view post)
It seems my taste closest resembles... soitgoes! Of you guys, my lowest TCI is with... you.:lol:
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames
I never did criticker, but my tastes run equal parts high-brow and low-brow.
Not such a fan of the mid-level brow.
"We eventually managed to find them near Biskupin, where demonstrations of prehistoric farming are organized. These oxen couldn't be transported to anywhere else, so we had to built the entire studio around them. A scene that lasted twenty-something seconds took us a year and a half to prepare."
this is mine: http://www.criticker.com/profile/ears550/Quoting B-side (view post)
b, you're my 39th best tci, so obviously something is amiss...
Criticker has become a habit for me. I never watch a movie without scoring it in the page.
The site itself calls me an "addict".
I already have you as a "kumpel" -- whatever the fuck that means. You're listed as my best TCI of my "kumpels" and my 13th best overall.Quoting elixir (view post)
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames
After updating my sig here, updating my personal blog and rating a film on Netflix, doing Criticker just seemed like one step too many.
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
I just watched this again for the first time in about 15 years, and I have to say that this isn't really the case. In fact, the scheme is relatively simple, and only relies on two things: Scottie being a good detective (though Madeleine is able to feed him with all the information he needs anyway) and that he has vertigo.Quoting Spinal (view post)
Apart from that, all they really do is have Madeleine act suicidal and lead him to the Spanish village. There is nothing else really intricate in the set up. Voila, scheme success!
Anyway, I liked this much better the second time around (I was too young and impatient in my first viewing), being able to better appreciate the longing to be loved for who you are rather than who you are pretending to be, and misequating of surface affect for deeper emotional connection.
I do think that the placement of the reveal (the aborted letter) takes away a lot of the potential power of the last third, because I think in this case the knowledge removes a lot of the potential ambiguity. Scottie's obsession would be more unsettling if we were under the impression that he was victimizing a truly innocent girl, and then at the end reveal that in face the girl had an obsession of her own, to be loved again, and could only achieve that by turning back into a fake construct.
Still, gloriously atmospheric and some wonderfully staged shots.
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
Wow, Hell in the Pacific was shaping up to be a solid little film and then it had that toilet bowl of an ending. Yeesh.
The Princess and the Pilot - B-
Playtime (rewatch) - A
The Hobbit - C-
The Comedy - D+
Kings of the Road - C+
The Odd Couple - B
Red Rock West - C-
The Hunger Games - D-
Prometheus - C
Tangled - C+
If Criticker says our tastes are similar then it must be true.Quoting B-side (view post)
::starts a Tony Scott marathon::
Apparently Tony Scott comitted suicide. I don't know of its official or just a rumor.
Sure why not?
STAR WARS: THE LAST JEDI (Rian Johnson) - 9
STRONGER (David Gordon Green) - 6
THE DISASTER ARTIST (James Franco) - 7
THE FLORIDA PROJECT (Sean Baker) - 9
LADY BIRD (Greta Gerwig) - 8
"Hitchcock is really bad at suspense."
- Stay Puft
Looks like its official now. Jumped off a bridge. Damn.
Sure why not?
STAR WARS: THE LAST JEDI (Rian Johnson) - 9
STRONGER (David Gordon Green) - 6
THE DISASTER ARTIST (James Franco) - 7
THE FLORIDA PROJECT (Sean Baker) - 9
LADY BIRD (Greta Gerwig) - 8
"Hitchcock is really bad at suspense."
- Stay Puft
What the hell, I thought you were joking.Quoting Watashi (view post)
Link
Coming to America (Landis, 1988) **
The Beach Bum (Korine, 2019) *1/2
Us (Peele, 2019) ***1/2
Fugue (Smoczynska, 2018) ***1/2
Prisoners (Villeneuve, 2013) ***1/2
Shadow (Zhang, 2018) ***
Oslo, August 31st (J. Trier, 2011) ****
Climax (Noé, 2018) **1/2
Fighting With My Family (Merchant, 2019) **
Upstream Color (Carruth, 2013) ***
Uh... that sucks, and it's incredibly eerie that I made that post when I did.
Yeah. Kinda creepy reading that in real time.Quoting soitgoes... (view post)
Bloody hell. RIP.
Last 10 Movies Seen
(90+ = canonical, 80-89 = brilliant, 70-79 = strongly recommended, 60-69 = good, 50-59 = mixed, 40-49 = below average with some good points, 30-39 = poor, 20-29 = bad, 10-19 = terrible, 0-9 = soul-crushingly inept in every way)
Run (2020) 64
The Whistlers (2019) 55
Pawn (2020) 62
Matilda (1996) 37
The Town that Dreaded Sundown (1976) 61
Moby Dick (2011) 50
Soul (2020) 64
Heroic Duo (2003) 55
A Moment of Romance (1990) 61
As Tears Go By (1988) 65
Stuff at Letterboxd
Listening Habits at LastFM
Yeah, I'm still having trouble processing this. Ruiz, Angelopoulos, Marker and Scott all within about a year of each other. Devastating. Granted, Marker was very old, but still. The rest died too young.
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames
It's insanely true. Very unfair, like Angelopoulis. Weird.
No reason not to be glad for the career he's had, if it was leading up to this. Those who enjoy his films continue enjoying them. RIP.
The Act of Killing (Oppenheimer 13) - A
Stranger by the Lake (Giraudie 12) - B
American Hustle (Russell 13) - C+
The Wolf of Wall Street (Scorsese 13) - C+
Passion (De Palma 12) - B
Ron Howard posted a tweet paraphrasing Billy Wilder's "No more Lubitsch movies" remark. Now, I think True Romance, Domino, Déja vu, and his short film Beat the Devil are all terrific movies, but is there any Hollywood filmmaker less like Lubitsch than Tony Scott?
Just because...
The Fabelmans (Steven Spielberg, 2022) mild
Petite maman (Céline Sciamma, 2021) mild
The Banshees of Inisherin (Martin McDonagh, 2022) mild
The last book I read was...
The Complete Short Stories by Mark Twain
The (New) World
That's right, I talk smack about dead people. You gotta problem with that?Quoting elixir (view post)
Just because...
The Fabelmans (Steven Spielberg, 2022) mild
Petite maman (Céline Sciamma, 2021) mild
The Banshees of Inisherin (Martin McDonagh, 2022) mild
The last book I read was...
The Complete Short Stories by Mark Twain
The (New) World
Not really, it's more the strange comparison to Lubitsch (yes, I'm aware of the comment Wilder made).
It's also weird because you say the guy made terrific films, but alright.
No, but. I do find it amusing and odd that you're apparently following Ron Howard on twitter. :PQuoting baby doll (view post)
I don't see the comparison to Lubitsch at all. Mervyn LeRoy or Howard Hawks are far more applicable.
Last 5 Viewed
Riddick (David Twohy | 2013 | USA/UK)
Night Across the Street (Raoul Ruiz | 2012 | Chile/France)*
Pain & Gain (Michael Bay | 2013 | USA)*
You're Next (Adam Wingard | 2011 | USA)
Little Odessa (James Gray | 1994 | USA)*
*recommended *highly recommended
“It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.” -- Rainer Werner Fassbinder
twitter | next projection | criticker | frames within frames