I've seen both Wonder Wheel and Crisis in Six Scenes, and while neither one is exactly good, they both have points of interest that arguably make them worth seeing, at least if you're a Woody Allen completist. If nothing else, the former proves that Miley Cyrus is an eminently capable comic actress, who can be charming and sexy even when she's given terrible material to work with. The kid's a star. As for Wonder Wheel, it feels less like a film about the 1950s than a product of a 1950s sensibility. It's an awkward, creaky, almost embarrassingly sincere movie, and on that level, it's kind of fascinating.