Originally Posted by
dreamdead
Belated reply, but I think it's largely about the texture and melodic elements. Yes, it's drawing from 1980's "classic rock" sources, which is never going to be as well-regarded as 1960-70s folk or rock inspirations, but the way that Granduciel lets each instrument breathe and get center stage is fascinating. It gets at the key character that I also find in stuff like like Haim and other purveyors who translate and transform rock conventions. And depending on your tolerance of Haim, that's either damning with faint praise or a legitimate compliment. All of Lost in the Dream has a seamless quality to it, and that sense is calming and meditative.