Great! Had lots of help from HR and management to make sure the right forms were filed and that if I needed to take time off it was taken care of.
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No worries!
It hurt like a sunufabitch, but it could have been much worse. Just means I'll be on paperwork duty for the next bit.
It's funny that it's the same finger that I hurt a year and a half ago and had me stitched up in the hospital. Luckily I have a different HR manager now, or maybe they would have thought I was up to some shenanigans.
So I officially work at Disneyland. I start next week. I'm actually looking forward to it. Yeah, it's going to have it's hellish days (amusement park customers can be the worst, though not as bad as theater-goers), but at least I'll be part of a company that I enjoyed growing up and the Disney name means a lot to future employers.
I just hope I get to be Belle's escort.
Doesn't Disney screen new hires against the sex offender registries? How in the world did you get hired?
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Potential LA get-together has been updated from drinks and/or movie to sneaking booze into Disneyland and messing with Wats.
Whatever happened to the LA get together anyway?
Tomorrow I submit my last essay for my undergrad, so naturally I can't focus worth a dime. I have four more pages to write and have not made any progress since about 3pm today.
Worked on a horror-thriller feature for the first time ever. Exciting, given my wheelhouse and all, but that vanished when I actually started. Forgot how much I hate engaging in film production. Sixteen hour days, directors that overshoot every goddamn scene, staying on your feet constantly, running around. I have no romance for this shit at all.
Doesn't help that I was working on a film I would almost assuredly loathe. Scenes I was privy to included the dreaded "no cell phone reception!" conversation, the "if this is a joke, it's not funny man!" face-off, the girl-isolating-herself-in-the-woods-willfully scene, and, worst of all, the whole thing was another found-footage story.
Thinking of switching my attention to post. The hours still suck, but not as badly, and you get to sit down.
My body hates me. I've been on overnight shift the past 3 months and now this week I've been put into a week long class running from 7-3, but my body won't fall asleep at night. I know that come Friday or so I'll be able to sleep through the night finally, but I have to be back on my night shift Sunday night, so I'll have to readjust yet again, well for 3 weeks, then I switch back to day shift for 3 months.
Between the comedy webseries I do sound for and the musical I PA'ed on during the 48 Hour Film Project two years ago, I've been really fortunate to have worked on sets of projects I enjoy with people I enjoy. But I prefer post, too. I spend most of my free time in front of a computer, anyway.
Post is less draining but I find that in general it's easier to be well paid for production than post. Most people have no idea how long it takes to edit something and it's a hassle convincing them what would be fair remuneration.
True, but this is probably more the case for contract jobs than for long-term employment at production houses or running series.
And my comments weren't necessarily a judgment on the crews. Most of the crews I've ever worked with have consisted of good-humored, hard-working people.
This is true. I edit birthdays and weddings when I can find the job and people are always amazed at what I charge them and how long it gets me to do it, when compared to most other editors I know I find I'm more than reasonable. People, it's hard work. And it's not like I'm having fun with the material.
I remember when my friends agreed to edit a half film for a friend of ours as a "favour". He insisted on being there all the time, then started to write them an algorithm to do the work for them, and then they don't talk anymore.