I assumed people would have learned by now but I guess I was mistaken.
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All I know is that if I have to listen to another conversation about which person would be in which Hogwart's House, I'm gonna punch somebody.
I kinda feel bad for Hufflepuff. Always assumed that was the House of Total Mediocrity. Where the students listen to Matchbox 20 and too often default to pancakes for dinner.
The Hogwarts peeps don't really hold much of a moral high ground against Voldemort when their school already practices segregation.
All students are equal. Some are just more equal than others.
...oh wait, that's from a book for kids. Forget I mentioned it. Useless.
My Big Beat electronic mix is up.
http://www.mixcloud.com/DJQrazy/big-...cing-feet-mix/
It might've been intended for adults, but it was purposefully written for most ages, with an image system that appeals to the younger set and vocabulary that, apart from a couple of key Russian terms (e.g. comrade), is relatively simple. Most teachers place it somewhere between grades 5 and 8 in terms of its readability, which fits snugly into the "young adult" market. In truth, it's the book's unassuming presentation and accessibility that makes it such an exemplary form of allegory. Similar in a way to how you can read Gulliver's Travels to a child, and they can appreciate its whimsy and humor and imagination, and if they come to it as an adult, they can appreciate it a whole lot more.
Is Huck Finn considered a kid's book? That's some thematic shit right there.
http://upload.wikimedia.org/wikipedia/en/9/98/Maus.jpg
Again, I ask.
Quote:
What's considered YA anyway? Aren't LOTR, Brave New World and Lord of the Flies considered teen reading? Also, what is not appropriate in PKD shorts for teens?
And why aren't we similarly infantilizing the simplified ideas and prose in Dan Brown or James Patterson novels?
The prose is certainly child-like, but I would argue that it presents and examines some very complex ideas.
I like Lewis' adult fiction and non-fiction better, but I'll always have a soft spot for Narnia.
Not the films. Those were pretty silly.
As for picture books, it has been practically months since I extolled Maurice Sendak (whose art I am sporting in my avatar) but I would argue that his children's books are as thought-provoking and intellectually valuable as they are beautiful.
There's a few different reasons why Animal Farm utilitizes the language it does, and none of them have anything to do with children.
One, it's part of the satire. Using simpler language to describe Soviet politics and framing the story as a fairy tale makes Stalin appear more foolish. Two, Orwell had pointed political goals. This book was published at the end of WWII and contrary to today, not everyone had a college or even high school education. Simpler language makes the book's contents more accessible to a larger group of people, at all education levels. Three, since you can't travel 1,000 miles in Europe without tripping over a half dozen languages, clear, direct prose allows for easier translation. The novel was translated into multiple languages almost directly after its UK publication.
I think you (and 8) are making the mistake of thinking that, because a work is taught in modern American highschools, that somehow transforms it into a work for younger readers, solely based on the accessibility of its prose.
In my highschool we read A Farewell to Arms, Caesar's Gallic Wars, Romeo and Juliet, Babbit, Gargantua and Pantagruel, The Great Gatsby, and Sartre's The Wall.
Are you next going to argue those are all YA works?
young adult fiction sucks. except for the young adult fiction that doesn't suck which actually isn't young adult fiction BECAUSE it doesn't suck, and young adult fiction sucks.
am i getting the gist here?
I'm actually working on a young adult novel.
I hope it doesn't suck.
It might, though.
The other way around. I'm arguing that trying to discern the author's intent versus ability in regards to their book being considered appropriate for a younger age is a fool's errand. Especially when a lot of people are quick to deem something YA and market it as such just because it has teenage protagonists, even though the author supposedly never intended them as such.
A bunch of Stephen King's stories, for example, have been classified as YA. Any of us feel like judging adults reading them as being infantile?
Many authors write simplistically because that's just their style. Give a 13 year old an Elmore Leonard novel, see if they can't make heads or tails of it.
I learned to cook (and learned to LOVE it) because of Ratatouille. I got back into theatre again after watching Beauty and the Beast (for the umpteenth time) last year.
Wall-E re-affirmed my love for art. Period. And re-ignited my desire to be around PEOPLE again, not just interact with them from behind a computer.
So, I disagree with your assessment, obviously.
I love how many pages of discussion your article generated, Wats.
Well done! Superb trolling. A++++. Would read again. Dream of seller.